Guys, I have brilliant and exciting news!

I am turning this entire would-have-been polished-and-professional space into a giant playground. Complete with a ball pit and tire swing.

There’s a story here, of course. (There’s always a story. Stories are What I Do.)

See, once upon a time, I decided to forsake my nebulous ideal of perfection in lieu of being the best me I possibly could. I decided to embrace my quirks, weaknesses, and strengths – instead of denying or overriding them, to work with them and to make them work for me. I was really tired of trying to be something I wasn’t.

And this is the homecoming of that decision. I realized that my idea of a “good author” – or at least the public face of a good author – did not mesh with who and what I was, what I liked, what I wanted to and could do. So I’m tossing my not-me ideals out the window and refocusing on just being me.

I’m a writer. I don’t have to be not-me to be an author. That doesn’t make any sense.

I’m getting rid of all the stiff-and-forced professionalism. (Okay, not that there was that much of it anyways, but still.) I’m getting rid of a “posting schedule” and letting myself shrug off the pressure of deadlines. I’m getting rid of the feeling that this place is far too special to sully with my randomness and my less-than-bestness.

And now this is my playground. I get to do whatever I want here. I get to geek out and get excited about worldbuilding. I get to discover Important Life Things and share them. I get to inundate you all with my favorite fiction snips. I get to tell silly stories about my life, like the time my mom asked me if I was going to have a “wicker wedding” and my sister suggested I burn baskets at the four corners.

Ultimately, I get to be me. And that’s a lot of fun.

If any publishing agents or otherwise official people read this post, I may be doomed. But landing a publishing deal is not my goal. Telling stories is my goal. Living stories is my goal.

And I can do that just fine.

Image Credit: Crestock Creative Photos.

We can only breathe when we’re near plants. We learned from the namiccians, who learned from the tache, whose intersun ships had to carry a belly full of forest in order for the warriors to breathe when they sailed from one world to the next. The tahori who go to Nami Ka bring back stories of namiccians who have learned to fly, but they can only go so far from the plants on the surface of their world before they, too, can’t breathe any longer. There is an invisible dome around our worlds, a sphere wherein which life exists, and the plants somehow create it.

Between the worlds, there is blackness. Void. Nothingness. There are winds, currents – the tache used them to sail to us – but we cannot breathe them. There is no weight, no up or down. If the winds move you like they move the great ships, you don’t know it; you have no way to tell if you’re moving.

I learned to teleport in tiny steps. Inlanlu almost never have that ability, and no other tahori were friendly enough to help me learn, so I taught myself. I discovered my talent as a child, startled by my brother’s surprise pounce; I vanished and reappeared two feet over, wide-eyed and stiff-tailed. I explored it, learning to move one foot, five feet, fifteen feet. I learned how to pop back in a few inches above the ground and avoid getting my feet stuck in the dirt; I learned how to drop onto a sturdy tree branch twenty feet up, and only once did I miss it and fall all the way down. I learned how to move by inches only, enough to dodge a strike with hand or paw or stick.

In time, I learned how to go to places I couldn’t see from where I was. That was harder – I had to remember how everything looked and hold that in my head – so, instead, I started trying small distances again with my eyes closed. Once I got the hang of visual memory, I could do longer jumps easily. By then, I had met Tari, a fast-talking young man with a brilliant smile. He, too, could teleport, and if my packmates were uncertain to have me spending so much time with a non-inlanlu, they didn’t stop me from meeting with him. Together, we explored our abilities.

I was two years from adulthood when I first tried putting myself into the sky. It worked– I started falling, the ground an uneven patchwork of greens and browns below me. I didn’t have time to think: instinctively, reflexively, I teleported back to the safest place I could think off, three inches above the ground where I slept. It was still a hard landing, my momentum half-preserved. I was shaking.

Tari’s father took him to Nami Ka, enough times that he learned how to go on his own. That was exhausting, he told me, making a jump that far – but he got better, and without his father’s knowing, he took me. I met namiccians, heard their language, smelled their air, drank their water. I tried to remember what it looked like; after I went with him three times, I tried to go by myself.

I didn’t make it.

The distance was too great, and inlanlu don’t have the sheer amount of qki flowing through our bodies that Tari’s people do. I hadn’t known that I needed to develop such a flow, let alone how to do so. I hadn’t known how much was needed.

So I found myself in the void between worlds, bitterly cold, weightless, and unable to breathe. My lungs seized up, and my heart fluttered like a bird inside my ribs. I couldn’t feel my skin within moments, but my bones hurt from the deep chill. As before, I didn’t have time to think: my reflexes tried to take me back to my safe place, where I slept, where I could breathe.

But I was exhausted. Going halfway and then back again was like going all the way, and I couldn’t do it. Panic rose in me as my eyes felt like ice; I couldn’t close them, even to blink. My mouth felt fused shut. I couldn’t feel my hands, my feet, my tail, my face– and, swiftly thereafter, my arms and legs.

At some point, only a few eternal seconds past the realization that I couldn’t teleport home, I realized what I was seeing. Our sun was a tiny ball of fire, making a triangle’s third point with my home and Nami Ka; I was on the invisible line that linked Nami Ka and my world. The worlds were discs, huge in comparison to the sun, facing its warmth; behind them, I could see the cloudy underside of a third world, Ayunra Ka. The sun must swing a circle around all three, once every day. That’s why our nights are longer than our days.

My back was to the sun, and I kept my eyes away from it but for the brief glance over my shoulder; but, even so quickly, the frigid chill lessened, and I could blink again.

I’m in the middle of the universe, I thought to myself, calming. I was surrounded by all we knew, ka, the sum of everything. It was not a bad place to die, even young, even alone.

But the word die scared me again, and reflexes kicked in, trying to take me home, to a safe place–

I woke up a week later, cradled by my brother in his black-furred sanero skin. My pack had gotten so scared when they found me comatose in my sleeping spot that they actually allowed Tari’s family to come onto our territory to look at me. Tari’s father told them that I had used up more qki than my body had in it, an impossible thing, a fatal thing. Having no qki means your body shuts off: heart stops, lungs stop, head stops. You die when you do what I did.

No one was sure how I survived. But, as the years wore on and I learned more, trained more, and did more, I could do it again and again – I could use more qki than my body had and still not die.

Five years after I saw the center of ka, I was the most powerful warrior in my pack.

Once upon a time, I had a lot of fun with a couple of communities who offered up prompts for fifteen-minute ficlets. Once you clicked the link and saw the prompt (usually a single word; sometimes an image), you had fifteen minutes to write like a madman. Totally spontaneous, totally unpolished. Some of my favorite ministories came out of doing that (such as these two).

So I revived it, both on Twitter with @15minfic and on my website with a forum, where you can login with a variety of pre-existing IDs, including Twitter, Google, and Facebook.

I’ll be posting a prompt just about every day, and folks are strongly encouraged to post their ficlets in response to the thread, for ease of sharing and enjoying. Feel free to wander on over and contribute, or just hang out! (There is a coffeeshop on the forum. :D )

Silence roared over the night-cloaked docks, not even a shard of moonlight glittering along the sleek hulls of the few spaceships still left in the on-world port. A figure of shadow nestled into the niche in one craft’s landing gear, nary a sound betraying its presence, and darkness-obscured eyes gazed into the seemingly calm midnight air–fresh and cool, so markedly different from packaged oxygen that spacers breathe in their ships and space stations–waiting.

A soft-metal noise echoed through the quiet–pause–rang out softly again. There.

The shadow-robed figure’s keen hearing didn’t pick up on the nearly inaudible touch of unshod pawpads on the thickrubber-lined walkway between individual docks until a tall, muscular form could barely be discerned against the greyish bulk of background shapes. By then, the midnight walker was nearly upon the hidden one, and the chance was nearly lost. But not quite.

The walking creature sprang backwards in lightning-quick reflex as a piece of the night’s darkness detached from its shadowy brethren and lunged at her. Thick, guttural laughter rolled out, rough against sensitive ears, and the walker landed in a defensive crouch, a silent snarl baring long, pearly fangs.

A small light–far dimmer than even a candle’s fickle flame–burst into existence with a sharp click, casting relatively stark shadows against the docks and temporarily blinding night-accustomed eyes.

A shot rang out, and more laughter came with it.

The assassin grinned mirthlessly at seeing the beautiful white body of a feline, so delicately striped in thin charcoal streaks, sprawled bonelessly on the walkway. In a second, he imagined, a pool of fresh, crimson blood would stain that lovely pelt and begin seeping towards his booted paws. “Not much of a warrior, after all,” he hissed under his breath, eyes devouring every inch of his kill hungrily. “Just a rogue who managed to fool everyone into thinking she was some sun-blessed–”

One full-body convulsion threw the feline into the air–she twisted–landed on all fours–shot forward like a bullet from a high-powered sniper rifle, like the bullet with which he had shot her–

Only there was no blood on that perfect fur, no gaping hole in her flesh–

“Gllgrrgh!” the assassin choked, finding his prized weapon knocked from shock-loosened fingers and one strong hand gripping his throat with the strength of a steel vice. A feline face stared into his, the faint, musical ringing of silvery earrings the only sound in a suddenly-silent night. The hand-held light rolled with precise slowness down the slight slope… the same way her blood should have trickled in a lush scarlet river…

The cat said nothing, clawtips pricking her enemy’s skin just hard enough to draw four tiny beads of blood, as golden eyes stared into stormcloud-grey ones with the ferocity of every feral beast to ever prowl a primeval jungle–

Wrong.

The assassin wanted desperately to swallow, but found that he couldn’t.

We start each martial arts class by saying shikin haramitsu daikomyo. My favorite translation of that is in every encounter lies the opportunity for enlightenment. There is a potential revelation in every moment, in every interaction, in every breath you take.

This March, I had the pleasure of attending the 2010 IBDA Tai Kai, a forty-person, three-day, intensive training camp for those teaching and studying Bujinkan ninjutsu, hosted by Shihan Van Donk in San Francisco. I hoped for the Tai Kai to hold a little bit of enlightenment for me, but I kept myself reasonable and didn’t let my wistful thinking get too far off the ground. However, as it turns out, it was exactly as inspiring and fueling as I had wanted it to be – far exceeding my realistic expectations.

One of the many lessons I took away from the Tai Kai was the concept of being at zero. Many of our instructors discussed this, but one approach in particular stood out to me.

A gentleman named Jim King asked us what defines a warrior. In my head, I answered control – control of oneself, control of the situation, control of others to prevent escalation and damage. His answer was similar in some ways and very different in others.

His understanding of a warrior is that of balance; only unbalanced people will start a fight (excluding soldiers executing orders). A warrior is an active participant in everything; a warrior chooses to act, to bring the attention and aggression upon himself, and in doing so, he protects those around him. Everything is a deliberate, conscious choice; a warrior takes responsibility for what he does and for what happens as a result.

In order to remain at zero, a warrior does not invest himself into the fight, or the technique, or the outcome; he acts and takes opportunities where they arise, as they arise, and abandons them the moment they cease to be useful. It is intuitive, immediate, flowing; there is no tension, no intention, no emotional attachment. Ultimately, this balance stems from love, compassion, and peace – not hatred, fear, or anger.

One who is balanced is never forced; instead, he only accepts an invitation to become involved as necessary. Being balanced is an inner quality, not an outward characteristic born of great skill or competency. A warrior chooses every single thing he does deliberately and consciously.

It hit home, solidly, intensely. I am still musing over the concept and how to further integrate it into all areas of my life, not just physical training. And it’s important enough to be the first martial arts concept I blog about.

How do you balance yourself and stay at zero?

This is Nevada.

It’s a high-altitude desert, with plenty of mountains. The Sierra Nevada Range, to be exact.

There are waterfalls hidden in the hills.

In some places, the sun shines golden emerald.

There are rocks to climb. (That’s my J.)

Trees still reach for you, even in the desert.

This is where I live. It’s pretty nice.

Stretch. Preen. Fidget, half-uncoiled on the smooth cliff ledge newly warmed by slanting rays of the early morning sun. Streeetch wings–ooh, shiny!–and carefully nip off the specks of sand and soil that mar the shiny. Then, lift slender, snake-like head.

Tide sounds wrong.

Sunlight glittering along sleek cerulean scales, rear up, flaring wings for balance. Peer out with albino-pink eyes into the bright–bright hurts–blinkblink and then blink again. Shade eyes with one wing–lose balance and flop onto flank. Titter in annoyance, voice sprightly and bird-like, then simply slither right off the ledge.

Whoosh!–wings open and catch the newborn thermals that rise from the warming sands of the beach below. Whee! More pretty shiny–sun good on skin and wings–warm.

But then, sound of disruption in the waves again. Twist mid-air–change course. Swoop as though trying to dodge the unimpeded sunlight that comes over the ocean’s great, glittering expanse–bright!–dodge–warrrm…–dive towards the beach.

Backwing very quickly, very rapidly, then pool serpentine length onto the heated grains of sand. Rustle of sand against glistening hide–dirty bad–flutterflutter. More sand kicks up because of wing-wind. Sigh. Stop fluttering.

Then, fasten pink eyes onto the hills of white-topped waves come in. Tide still wrong. A greyish-brownish lump–larger by far than the flier–floating lifelessly in. Whassat? Pause. Carcass?

Rear up again–flutterflutter–somehow springboard long body into the air and flap furiously to get high enough to zip forward on a tiny current of air. Bright bad! Zoom over the ocean, into the sun, past the floating thing–then twist and come back. Bright behind–shadow on water–can see now.

Feathered-hunter-landwalker-critter! A Tyce. Floating. Not moving. Dead critter? Pause. Why in water?

Don’t bother to hesitate–zip down and buzz just a hair’s-breadth above the water-soaked, feathered beast. Lumpy. But keen hearing picks up the faint sound of a heartbeat. Critter not dead. Twist–bad bright!!–pass and turn–shadow on water again. Ahh–relieved sigh. Dive–smack the critter’s nose (barely above water) with tailtip. Critter half-dead–annoyance.

Waves carry the Tyce to the shore, slowly pushing at its toned, ocean-cleansed body, shoving it further towards the edge between dry and wet sand.

Flutterflutter. These-type critters friends. Pause–flutter–shadow on wet sand as the wave rolls out again, oh-so-briefly. Friends. Dive–backwing–hover–then carefully land on the big quadruped’s heaving flank. It coughs violently–flutterflutterflutter!–and up into the air again. Yikes! Hover–sun on back–warm.

The half-drowned predator coughs, retches up saltwater, then blearily opens one amber-golden eye. The eye is glazed, but slowly rolls upwards and attempts to focus on the cerulean Budram, hovering above–damp from seaspray with curiosity shining in its serpentine face. No danger.

Friend-critter awake! Zip down, chirruping merrily, and pool length onto dry sand, just a little ways away from the greybrown beastie. Watch avidly with wide, unblinking eyes as the Tyce laboriously pulls itself upwards without fully rising, towards the little flier.

Awake! Awake!

The Tyce lets itself fall once the waves cease to pull at its hind limbs, lupine muzzle creating a little trough in the sand a mere inch from the Budram’s winged form. Not-awake. Sigh. Wait with friend-critter.

The tide begins to roll out.

No, I really didn’t. I had no clue that my beloved first fictional language was actually turning out to be comparable to a real human language. But, if someone who holds a Masters degree in Linguistics tells me something like that, I tend to believe him.

Uhjayi is a conlang – a constructed language – spoken by the inlanlu tahori, a species of tribal shapeshifters on a world known as Alasa Ka. Their universe is half-science and half-fantasy: magic and natural selection shape evolution, and a person must use both logic and spirit to thrive. Uhjayi itself is designed to approximate the form of communication an alien culture might use, given that one of their skins is remarkably similar to the one we humans wear all our lives.

Uhjayi is not a simple cypher that switches one letter for another. Uhjayi actually has a root-based vocabulary, object-subject-verb structure, and syntax that, I’ve been told, resembles some Asian languages. (None of which I speak, for the record, nor am I familiar with their skeletons.) Uhjayi’s current syntax has come about from what I think makes the most sense; the script is phonetic, the pronunciation using the English alphabet is standard across all its words, and the structure is simple, yet flexible.

After working on Uhjayi for some while, the above-mentioned bloke recommended Pimsleur to me as a better language-learning method than Rosetta Stone. (In tandem with my martial arts, and mostly because of it, I wanted to learn Japanese.) Instead of computer software, it consists of thirty-minute audio lessons in three sets of thirty lessons – roughly equivalent to one lesson a day for three months. I started daydreaming about recording Uhjayi lessons.

On a lark, I wrote the tentative transcript for the first lesson, using Pimsleur’s standard conversation format, and shared it with some friends. They responded overwhelmingly favorably. I wrote more lessons, made a mini-site (well, sub-blog), compiled vocabulary, and even recorded five-minute audio lessons to showcase the correct pronunciation. Thirty-minute lessons are definitely coming, but I’m still working on learning – and finishing – my own language first.

If you’re curious, you can find everything housed in the Learn Uhjayi blogsitething: lessons one through five, a vocabulary list, and the of-questionable-quality recordings of me saying some very strange things.

So, tell me: have you ever dabbled in any kind of fictional language?

…was one of the blog names I was considered and, oh-so-briefly, used in the past. It would have fit perfectly. In fact, it still does.

But this blog began as a writing blog. I am a writer, a creatrix– I like that it sounds like creature as much as creator– and I wanted to write about writing. I wanted to chronicle my walk down the path towards eventual publication, be it self-publishing or finding a brilliant agent willing to vouch for my work.

Yeah, that didn’t go so well. My jack-of-all-trades tendencies and spidermind (a kinder term for ADD) get in the way of any tunnel-vision I might try to obtain. I am not just a writer.

I’m also a martial artist. I’m a biker. I’m a geofictionist. I’m an artist. I’m a paid geek web professional who does design, SEO, and copywriting. I’m a nature enthusiast. I’m a science nut. I’m a musician. I’m a thoughtful spiritualist. I’m an animal-lover.

Above all, I’m a person, and restricting any home of mine, virtual or otherwise, to just one facet of myself is a sure recipe for stagnancy and decay. Which is pretty much what happened as winter turned to fall last year.

So, I’ve stopped trying to limit the topics of this blog. I can’t promise you I’ll never go quiet again, but I can promise to be more present and more responsive, for all our sakes. Getting my muse rolling again (she rides an old Honda that looks suspiciously like mine) may take a while, and there will surely be some shaky turns, but we’re on our way.

Come along for the ride, won’t you? If nothing else, it will be weirdinteresting.

A low, hooting cry stirred Mechebe from his fretful nap, bringing his half-conscious mind to full awareness in a heartbeat. His eyes flared open as his tufted ears lifted vertical, swiveling to pinpoint the direction of the summoning warble. Sleep had given him no peace of mind, and now waking brought the pivotal announcement into unavoidable proximity. He took a deep breath, released it, and lifted his long, bearded muzzle from his crossed forepaws. His toes were tangled, claws placing sharp curve against sharp curve; the massive talons dangling from his dewtoes were the only ones exempt from his unconscious expression of anxiety.

He looked up, seeking a glimpse of the sky past the evergreen canopy. The shade of blue suggested afternoon, but the bloody tinge to the wispy clouds belied that and told him it was evening already. The sun was fleeing the sky in hopes of rest, much the same way Mechebe had fled the center of the territory in hopes of serenity. He wished the sun better luck than he had found.

“Ready?” came a sharp, light voice behind him. Mechebe didn’t look, pulling his paws apart gently before pushing himself up from his bed of mulch and moss to stand on four strong legs. His luxuriously long tar-black fur kept a few dried leaves as prisoners; he shook off when he heard the tell-tale crinkle-crackle from beneath him.

“I am restless from waiting,” he answered after another deliberate breath failed to bring calm, stretching his legs and flexing his ankles. His tail, long and thick and smooth, hung in a low curve behind his haunches, kept as still as he could manage; the barbed tip alone twitched, made of age-fused spines that grew like a lizard’s rattle-tail.

“You’re worried,” remarked the voice, accompanied by the sound of sniffing. Read the rest of this entry »

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